Tag Archives: Reed Hastings

Hey Netflix: Be a Hero and Buy ‘The Interview’ from Sony

netflix the interview

Well, that escalated quickly. In light of Sony’s announcement yesterday that it had officially canceled The Interview’s Christmas Day release, and “has no further release plans for the film,” I made a bold suggestion at Quartz: Netflix should save the day, and strike a blow against the hackers who have humiliated Hollywood. As I wrote,

Netflix, which doesn’t have a presence in Asia, is more protected from political fallout than the other multinational companies involved in this controversy. And the film’s marketing budget could be nonexistent. Instead, all of those celebs who decried Sony’s decision yesterday would suddenly become Netflix’s biggest cheerleaders, and the company would find itself with an army of enthusiastic—and free!—celebrity spokesmen, not to mention the invaluable free media coverage.

The company has long made a habit of rescuing discarded TV shows, including Arrested Development, The Killing, and Longmire, the canceled Western crime drama it picked up just last month from A&E. But now it could take things to the next level, and rescue a huge holiday movie.

Time and again, Netflix has proven itself to be fearless and hasn’t hesitated to make big deals that have upended the entertainment industry. Now it’s time for the company to step up to the plate again.

Hey Netflix: Be a hero and buy ‘The Interview’ from Sony

Not Even Those Who Run Netflix Shows Know How Popular They Really Are

not even those who run Netflix

This is crazy to me. We’ve all known for years that Netflix has stubbornly refused to release any ratings information on its shows. Now, I wrote at Quartz, it turns out that not even the people who make Netflix’s most popular (we think) shows have any idea how many viewers actually watch their programming.

“It’s like, ‘I’m a hit —I think,’” Orange is the New Black creator Jenji Kohan told The Hollywood Reporter. The lack of viewership metrics from Netflix “makes it hard to negotiate later,” she says, referring to the standing industry practice in which the stars and producers of hits shows leverage ratings success for significant raises in a show’s third or fourth season.

I also wrote about Netflix’s excuses for withholding that data — and why they don’t hold water.

Not even those who run Netflix shows know how popular they really are