Tag Archives: Amazon

How Amazon Built a Studio That’s Finally Challenging Netflix

transparent

As Amazon prepares to launch its third pilot season, I had a lengthy chat with Amazon Studios director Roy Price about his company’s strategy, measuring success, his terrific new series Transparent and competing with Netflix. He answered so many of my questions about Amazon, including what defines a successful series for them:

The main thing we’re focusing on is making Prime fantastic. And one of the things people really respond to is original new series, so we’re paying attention to, are people engaged with the show? Does it add value to the service as a whole? So it’s about views, and talking about the shows, and if you watch the whole season, how did you rate the show…Basically, do people really seem to value the show as part of the service?

Last year, we premiered Alpha House and Betas, and they premiered at, and hung around at, the number one and two series for awhile, so that’s very encouraging, because it shows that people are really getting into it and heavily sampling the shows. That’s the kind of thing we want to see, that it becomes a meaningful part of the value that the service provides. Ultimately, you’d like to see more people joining the service, and you’d like to see that people who watch the shows and enjoy the shows renew their subscription.

Price, who was a terrific interview, also talked about Amazon’s rationale for not disclosing ratings, how the public pilot process really works and whether Amazon considered picking up beloved-but-canceled shows like Community and Enlisted.

How Amazon built a studio that’s finally challenging Netflix

Netflix Has Gone From Emmys Crasher to Guest of Honor

netflix emmys crasher

I arrived in Los Angeles yesterday for TCA summer press tour, and one of my first assignments was this Quartz reaction to today’s Emmy nominations. As the streaming network more than doubled its 2013 nomination tally, from 14 to 31, it’s shifted from interloper to frontrunner.

But today’s impressive tally also increases the pressure on Emmy night. After last year’s Emmys, I wrote that Netflix was one of the night’s biggest winners, even though it didn’t win any major awards. Last year, just earning those nominations and smaller wins (like the directing Emmy for House of Cards) legitimized Netflix in the same way that early Emmy victories had once done for HBO, AMC, and FX.

This year, however, House of Cards and Orange is the New Black have catapulted from “just happy to be here” to frontrunner status. That means on August 25, Netflix needs to win one of the big trophies—outstanding comedy series for Orange, or outstanding actor in a drama for Kevin Spacey of House of Cards—to truly be considered one of television’s elite networks.

Plus, charts!

Netflix has gone from Emmys crasher to guest of honor

NBC Wants You to Make Its Next Hit Sitcom

NBC wants you to make

At long last, NBC is admitting the truth: it doesn’t know how to make funny sitcoms anymore. So it’s launching NBC Comedy Playground, and inviting comedy writers to pitch their series projects and bypass the usual drawn-out pilot season process. As I wrote at Quartz,

NBC Entertainment President Jennifer Salke called the move a direct result of “what’s happening on the Internet and what’s happening at the network.”

Or more accurately, what’s not happening at the network, which hasn’t had a hit sitcom since The Office, which debuted in 2005. That show averaged 9 million viewers in its heyday; now most NBC sitcoms, like Parks & Recreation and Community, are lucky if they pull in half that audience.

At least NBC is admitting that its current development system is broken. And if that prevents another monkey sitcom from making it to air, then we’ll all be winners.

NBC wants you to make its next hit sitcom

NBC Just Bought a Network to Cash in on Toddlers and Tablets

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In my latest piece for Quartz, I looked at NBCUniversal Cable Entertainment’s acquisition of preschool network Sprout, and focused on one key area that the company will be looking to improve: Sprout’s paltry streaming app.

While Sprout reaches 60 million homes and boasts 1.5 billion on-demand views since its 2005 launch, its app numbers are less impressive. Sprout’s app, launched in March 2012, has been downloaded 1.5 million times. Meanwhile, the Watch Disney Junior app, which Disney debuted in June 2012, has already been downloaded 5 million times, generating more than 650 million video views. Nickelodeon, which introduced a new app for its flagship network in February,plans to roll out a Nick Jr. app for preschoolers next spring.

However NBCUniversal decides to overhaul Sprout’s app, it had better do it quick: many kids, mine including, have abandoned it completely.

NBC just bought a network to cash in on toddlers and tablets

Why Amazon, bucking the Netflix strategy, won’t release its original series all at once

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As Amazon tries to play catch-up with Netflix by streaming its first original series, it’s diverting from Netflix’s playbook in one major way: instead of releasing Alpha House’s entire first season at once a la House of Cards, Amazon will make the first three episodes available at once, and then debut one new episode each week. As I wrote at Quartz,

Amazon Studios Director Roy Price said it opted for a weekly release schedule “so that customers can chat about the shows and build up anticipation,” adding that the Netflix release model kills the conversation and buildup that surrounds a traditional release of a TV show. Since Netflix refuses to release any ratings data on its programming, there is no way to tell how many people have actually viewed its original series, or how many debut episodes were viewed as compared those later in the season.

If Amazon can keep viewers enthusiastic about its new shows for weeks and months on end, it might be able to beat Netflix at its own game.

Why Amazon, bucking the Netflix strategy, won’t release its original series all at once