Author Archives: Jason Lynch

Fox Has Killed Its Plan to Kill TV Pilot Season

fox killed its plan

This has been inevitable since former Fox head of programming Kevin Reilly left/was pushed out last month: his plan — announced at TCA winter press tour — to kill pilot season has itself been killed. Fox has pulled the plug on Hireoglyph, one of the shows Reilly had ordered “straight to series” last fall. As I wrote at Quartz,

Ironically, Fox ended up doing the very thing Reilly had tried to avoid: sinking large amounts of money into a show that will never see the light of day.

While Fox is still moving forward on Gotham, one of its other straight-to-series pickups, it’s clear that the reports of the death of pilot season have been greatly exaggerated.

Fox has killed its plan to kill TV pilot season

American Singing Competitions are Hoping Israel Can Save Them

american singing competitions

The singing competition genre has gone off-key in the U.S., but ABC is hoping that a hit series from Israel — Rising Star, in which audiences vote in real-time, via the show’s app —will get it back on track. As I wrote at Quartz,

Speaking to reporters at the Television Critics Association’s winter press tour in January, ABC Entertainment Group President Paul Lee called Rising Star “the next generation of reality shows,” adding, “It’s almost like a modern Colosseum. I mean, people are literally voting up or down. … And it really has been a big hit over there. We think it will be a star maker over here.”

Easier said than done. After all, TV success in one country does not always translate to another. For every American Idol—based on the British series Pop Idol—there is an X Factor, which couldn’t replicate the UK original’s success here. (Rising Star has also been sold to France, Germany, Italy and Russia.)

I have my doubts for several reasons, most notably the fact that the show will air in four different time zones, meaning that not everyone will be able to vote “live.” And it was just two summers ago that ABC announced another heavily-hyped singing competition, Duets, which faded quickly. It seems unlikely that Rising Star will fare any better.

American singing competitions are hoping Israel can save them 

Stop Everything and Go Watch ‘Rectify’

Rectify

I really needed to review something phenomenal to counteract the stench of I Wanna Marry “Harry,” and I found just what I was looking for in the second season of SundanceTV’s exquisite Rectify. As I wrote at The Daily Beast,

It might sound clichéd to say that Rectify is unlike anything else on television, but it’s also entirely accurate. The show’s languid, deliberate pace is almost hypnotic. Time moves differently in creator Ray McKinnon’s world, and not just because every episode lasts roughly a day (although that pace somewhat quickens in Season 2, which will cover six weeks over 10 episodes). The entire plot of Season 1 could fit into the cold opening of a typical Scandal episode, with one or two twists to spare. The show offers no cathartic “gotcha” moments, no easy answers, and no rapid-fire dialogue.

Rectify is about the journey, not the destination. And no mater what your travel plans might be in the coming months, this will likely be the most rewarding trip you take all summer.

Stop Everything and Go Watch ‘Rectify’

The Television Miniseries is Back (Under a New Name)

television miniseries

After a dormant period, the miniseries genre is having a renaissance. Just don’t call them that, as I wrote at Quartz.

But nobody calls these shows “miniseries,” anymore. Instead, the networks have embraced terms like “limited series” and “event series” to describe programs with a predetermined end or cast that changes from season to season.

So what’s the difference? Not even the people running the networks can answer that one. “I don’t know,” NBC Entertainment president Robert Greenblatt admitted to reporters at the Television Critics Association’s press tour in January.

“It’s a genre that has kind of gone out of our sort of vocabulary for a long time because we stopped doing them,” said Greenblatt. “I think we use the word miniseries when something is closed-ended and can’t continue.…I don’t know what a limited series is.”

CBS Entertainment chair Nina Tassler also spoke with me at TCA about why the m-word has become so verboten, and I help clear up the confusion between miniseries, limited series, event series and anthology series.

The television miniseries is back (under a new name) 

Not Even TV Shows Set in Hollywood Can Afford to Film There Anymore

not even tv shows set in hollywood

USA’s Graceland is set in L.A., but the series is actually filmed all the way on the other side of the county, in Fort Lauderdale. As I wrote at Quartz,

While Hollywood and the rest of Los Angeles has been the center of the TV and film industry for decades, that’s all changed in recent years as other states and provinces have lured productions away with budget-saving tax incentives. Hollywood used to stand in for any location around the world; now even shows that are actually set in and around LA can no longer afford to shoot there.

Graceland creator Jeff Eastin talked with me about California’s meager $100 million film and TV tax credit program, in which credits are distributed via lottery system. He explained the benefits of shooting in Florida versus California:

“The number I hear thrown about is a 30% savings,” says Eastin. “If you’re talking literally $300,000 on every $1 million, that’s pretty substantial when our budgets are $2-$3 million [per episode]. The cost savings are really substantial when ultimately you’re trying to put as many dollars as you can on the screen. Especially for a cable show, where the budgets aren’t what big networks shows are, we’re counting every dollar.”

No wonder that out of the 28 new drama series picked up for next season, 20 of them will be filmed outside of California.

Not even TV shows set in Hollywood can afford to film there anymore

‘White Collar’ Boss Talks Show’s Final Season — and Matt Bomer’s Role in the Finale

White-Collar

While speaking with Jeff Eastin for an upcoming story about his show Graceland, I also slipped in a few questions about the upcoming final season of his other show, White Collar, which I was able to turn into this item for EW.com (my first time writing for a Time Inc. publication other than People):

“The really nice thing about six episodes is that it almost feels like a limited series,” says Eastin, whose other USA drama, Graceland, returns for its second season on June 11. “We’ve got just enough room for one really beautiful plot: What is the last adventure these guys go on?”

While Eastin has no hesitation about calling this last season of White Collar, USA hasn’t made an official announcement yet, nor has the network announced when the show’s sixth season will air.

‘White Collar’ Boss Talks Show’s Final Season — and Matt Bomer’s Role in the Finale

You Really Don’t Want to Watch Fox’s ‘I Wanna Marry “Harry”’

wanna marry harry

No. Just, no. Proving that it has learned exactly zero lessons since foisting The Next Joe Millionaire upon the public, Fox has once again failed to clone its 2003 reality mega-hit, Joe Millionaire. This time around, we’re stuck with I Wanna Marry “Harry,” in which 12 dimwits vie for the hand of a man they think just might be Prince Harry. As I wrote at The Daily Beast,

Instead of upending the genre as Joe Millionaire did, the inert Harry mostly shows how much things have changed since then. Very few Bachelor viewers—despite the efforts of host Chris Harrison—wholly buy into that show’s fairy-tale storyline anymore. The turning point came in 2010, as audiences were exposed to the creepy serial killer vibe given off by Jake “Stop Interrupting Me” Pavelka during his nasty on-air split with “winner” Vienna. Then, there was a near revolt this past Bachelor season, as almost all the women (and even Harrison himself) ultimately turned against Bachelor Juan Pablo Galavis as a result of his douchey behavior both onscreen and off.

Now, many contestants and viewers have realized that the real way to “win” The Bachelor/Bachelorette isn’t by becoming the last suitor standing and getting engaged. Instead, the key is to play your cards right and score the better prize: either become the runner-up who was compelling and beloved enough to be selected as the next Bachelor/Bachelorette, or embrace the villain(ess) persona that’s a direct ticket to getting booked on spinoff shows like Bachelor in Paradise (airing this summer). Continued employment, not true love, has become the real Bachelor allure.

If you wanna watch Harry, you’ll only get an uninspired retread of a once-revelatory idea.

You Really Don’t Want to Watch Fox’s ‘I Wanna Marry “Harry”’

Finally, Instead of Re-Runs Over the Summer, New TV Shows Will Premiere All Year

finally instead of reruns

As upfronts wrap today, I wrote this Quartz piece about one big change to this year’s proceedings: the networks are finally serious about programming year-round, and they’re actually putting their money where their mouths are.

But as broadcast ratings continue to erode, those networks can no longer assume that their viewers will stay loyal and return in the fall. So when CBS took a chance on adapting Stephen King’s Under the Dome as a “limited series” last summer, and it became the highest-rated scripted summer series in 21 years, the network kept it in the same spot this year (it returns June 30). With the addition of Extant and other summer shows, CBS will have 90 hours of original programming this summer.

It’s a big change from the broadcasters’ traditional hands-off approach to summer, allowing the cable networks (and more recently, Netflix) to swoop in and take all the audiences for themselves.

Finally, instead of re-runs over the summer, new TV shows will premiere all year

How ‘Marvel’s Agents of SHIELD’ Finally Found Its Way

agents of shield s1

No series arrived this season with more hype, and more disappointment, than Marvel’s Agents of SHIELD. The show seemed destined to seamlessly expand Marvel’s bigscreen dominance to television, but as I wrote at The Daily Beast,

Instead, for much of its dreary first season, S.H.I.E.L.D. was a pretender, saddled with cut-rate CGI, one-dimensional characters (and in some cases, half-dimensional actors) and most damning of all, devoid of anything even remotely resembling fun. Yet in true comic book fashion, just when it seemed that all hope was lost, in the past month the show—against all odds—finally found its way. Now, Tuesday night’s feisty, rewarding season finale has me doing something I never would have thought possible: counting the days until next season.

I delve into the show’s many problems this seasons, and how the big twist from April’s Captain America: The Winter Soldier has finally helped Agents of SHIELD became the thrilling show it was always supposed to be.

How ‘Marvel’s Agents of SHIELD’ Finally Found Its Way