Category Archives: Stories

Where Did All the Inspiring TV Politicians Go?

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I returned to The A.V. Club for a story about how much the depiction of political leaders have changed on TV from the days of The West Wing’s Josiah Bartlet. As I wrote,

Seven years after The West Wing ended its run, audiences now gravitate toward political shows like House Of Cards, Scandal, Veep, and the new Alpha House, which are all marvelous (okay, maybe not Alpha House, though John Goodman provides the hope that it might find its way), but revolve around presidents and other leaders who are either despicable, incompetent, or both. In other words, they’re just as selfish, sleazy, and/or stupid as we perceive many contemporary leaders to be.

Where Did All the Inspiring TV Politicians Go?

Elizabeth McGovern on ‘Downton Abbey’ and ‘Ordinary People’

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As if I hadn’t written about Downton Abbey enough for this weekend’s Parade, I also interviewed Elizabeth McGovern for the magazine’s “Sunday With” Q&A. She talked to me about playing Lady Cora, her accidental music career and why her husband, director Simon Curtis, doesn’t press her for spoilers:

He’s happy to wait and see the show. Once in L.A. somebody scurried over to him at one of these parties and said, “What’s happening on Downton Abbey next year?” He said, “I don’t know anything. I’m just going to watch it with you guys.” The next day, there was a headline: “Downton Husband Knows Nothing.” He was pleased he’d made the papers in that way!

I actually had been assigned this McGovern interview long before the Downton cover came my way, and it was a pleasure speaking with her, two years after editing a delightful story on her for People.

Elizabeth McGovern on Downton Abbey and Ordinary People

‘Downton Abbey’ A to Z: An Obsessive Guide to the Show’s Secrets

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Look, my first Parade cover! It was such a treat to reunite with my former People colleagues, Maggie Murphy and Andy Abrahams, for this cover on Downton Abbey. The whole thing came together so quickly that I barely had time to think. I immediately had to immerse myself in the minutia of the show so I could pull together this obsessive, A to Z look at the world of Downton Abbey. Thanks also to Downton creator Julian Fellowes, who shared all sorts of wonderful behind-the-scenes details, like this one for the “R” category, R.I.P.:

When actors Dan Stevens (Matthew) and Jessica Brown Findlay (Lady Sybil) broke the news that they would not return for a fourth season, “really, the grim reaper was the only option,” says Fellowes, who adds that “it’s easier when the servants leave,” because he can simply have them take another job.

I also wrote several sidebars for the story, including this one on the new characters being introduced this season. This cover story was a lot of work, but it all paid off in the end.

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Five Ways Television Can Save Itself in 2014

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Happy new year! I rung in 2014 at Quartz with — what else? — this list of five resolutions that the networks should make for the coming year to thrive in this strange new world of streaming, stacking and binge-viewing. Among them: Plan for life after talent competitions.

For the past decade, talent competitions like American Idol and Dancing with the Stars have dominated the TV landscape, but across the board, almost all of those shows are showing signs of fatigue. Idol, Dancing, America’s Got Talent, and The X Factor’s  ratings were all down sharply this season (only relative newbie The Voice is still robustly chugging along), despite various attempts at shuffling formats and judges.

Even with the ratings drop-off, most of these shows are still solid performers, but they are definitely closer to the end of their run. Given the vast amount of real estate they occupy on their respective networks, it’s time to come up with contingency plans for when these shows do take their final bows. Otherwise they’ll be repeating the mistakes of ABC and NBC, whose respective schedules took years to recover from overreliance on the likes of Who Wants to be a Millionaire and The Jay Leno Show. It could be argued that they still haven’t recovered.

Resolutions are easy to make, but very hard to follow. I’ll check back in with this story at the end of the year and see how many of these the networks actually stuck with.

Five ways television can save itself in 2014

Hollywood has put too many films under the Christmas tree

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The studios have been naughty this season, and snuck too many films under the Christmas tree. As I wrote at Quartz,

Each December, the studios line up a sizable number of new releases, hoping to capitalize on the hordes of moviegoers who descend on multiplexes during the holidays. But this season, they may have pushed things too far: a dozen movies are opening in at least 500 theaters in the two weeks leading up to Christmas, up from an average of under 10 films during the same two-week period over the past decade.

It’s inevitable that a few of those films will get left out in the cold, both by audiences and Oscar voters. Bah, humbug!

Hollywood has put too many films under the Christmas tree

Disney’s Dark New Turn: Turning Villains into Heroes

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Given that my last Disney-themed story for Quartz was a resounding success, I was all to happy to return to that company for today’s story, on how even Disney is finally embracing the anti-hero:

While the wholesome company built on Mickey Mouse cannot create a series around the likes of drug kingpins or serial killers, its Disney Villains (as the company has been branding them in theme parks and merchandising) offer them an ideal entrée into at least semi-dark territory. An early attempt at this was Wreck-It Ralph, last year’s animated film hit about a misunderstood video game villain who becomes the hero, which grossed a healthy $471 million worldwide.

Now Disney is ready to go all-in on the notion that in pop culture, it’s good, and lucrative, to be bad.

Sometimes, even villains can save the day!

Disney’s dark new turn: Turning villains into heroes

Disney’s Brilliant Plot to Buy All of American Pop Culture

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Here’s something unexpected. Quartz’s sister publication, The Atlantic, picked up my Quartz story from this morning on why Disney is buying all our favorite childhood icons, and republished it on its own site. Unfortunately I don’t get paid a second time for the story, but at least I can say now that I’ve been published by The Atlantic!

Disney’s Brilliant Plot to Buy All of American Pop Culture

Why Disney Keeps Buying All Your Favorite Childhood Icons

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It’s taken some time, but I feel like I’ve finally found the sweet spot for making entertainment news palatable to Quartz readers. My latest Quartz story was the best example of that yet, as I reflect on why Disney keeps snapping up everyone’s most beloved childhood icons like Star Wars and the Indiana Jones films:

Disney’s decades of cultivating its own franchises–via movies, TV shows, its theme parks and of course, incessant merchandising–has given it a viable blueprint as it seeks to make the most of its new purchases.

It’s so rewarding to discover that I’ve finally cracked the code on these Quartz stories, which have been both great fun and highly educational to write.

Why Disney keeps buying all your favorite childhood icons

After ‘Sound of Music,’ 4 More Musicals That Should Get Live-TV Treatment

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More than 18.6 million tuned in for The Sound of Music Live! on Thursday, which means one thing, as I wrote in my first piece for Today.com:

But why stop there? “Sound of Music” was the first live presentation of a musical on TV in more than 50 years, but there are plenty of other productions that could be resurrected as similar live spectaculars for audiences.

I came up with four more ideas, including casting suggestions. [Update: One of my picks, Peter Pan, is indeed going to be NBC’s next live special for December 2014, while Fox announced plans for Grease Live.]

After ‘Sound of Music,’ 4 More Musicals That Should Get Live-TV Treatment

Why Blockbuster Opening Weekends Cause Falling Stock Prices

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I stepped a little bit out of my comfort zone for my latest Quartz story, on why a movie studio’s stock often falls after its film has a blockbuster opening weekend. As I wrote,

The post-blockbuster stock dip has become a surprisingly common occurrence in recent years. Here’s why: just as Hunger Games fans spent months eagerly awaiting the film’s opening weekend, investors were likewise buying up LGF shares, causing the stock to double in the past year. This mirrors activity around an eagerly-anticipated new tech products, like iPhone and iPad releases, as investors buy in anticipation of a big event, then try to unload their shares to those suddenly interested in buying in after the gargantuan sales figures come out.

The more you know!

Why blockbuster opening weekends cause falling stock prices