Category Archives: Daily Beast

Surprise! Halle Berry’s Career is ‘Extant’

extant

I was pleasantly surprised by Extant, the “event series” starring Halle Berry that CBS is hoping will do just as well for them this summer as Under the Dome did last year at this time. The show, as I write at The Daily Beast, is a substantial upgrade over Dome, thanks in large part to its star:

The show’s name, Extant, means “still in existence; surviving”—the opposite of extinct. The word could also refer to Berry’s career, which seemed to have flatlined in recent years, outside of the X-Men franchise. Extant can only thrive if Berry does, and so far the actress, making her first TV series appearance since the short-lived 1989 Who’s the Boss? spinoff Living Dolls, delivers in what is a difficult, enigmatic role. Berry has never deployed her talents consistently during her career, but acquits herself quite admirably here. While at first, she seems to be frustratingly underplaying Molly’s reaction to the pregnancy news, it turns out that there’s a method to her stillness. You see, Molly also knows things—some of which unfold in flashbacks—with many more revelations likely to come in future episodes. Until they do, Berry utilizes her star quality to keep us riveted and awaiting whatever twist comes next. And she makes the most of her standout scene in the premiere, in which she silently and captivatingly unpacks several years of emotional baggage.

My long-term reservations about the show aside, I applaud CBS for proving, at least for now, that quality broadcast television can indeed be extant during the summer months.

Surprise! Halle Berry’s Career is ‘Extant’

Stop Everything and Go Watch ‘Rectify’

Rectify

I really needed to review something phenomenal to counteract the stench of I Wanna Marry “Harry,” and I found just what I was looking for in the second season of SundanceTV’s exquisite Rectify. As I wrote at The Daily Beast,

It might sound clichéd to say that Rectify is unlike anything else on television, but it’s also entirely accurate. The show’s languid, deliberate pace is almost hypnotic. Time moves differently in creator Ray McKinnon’s world, and not just because every episode lasts roughly a day (although that pace somewhat quickens in Season 2, which will cover six weeks over 10 episodes). The entire plot of Season 1 could fit into the cold opening of a typical Scandal episode, with one or two twists to spare. The show offers no cathartic “gotcha” moments, no easy answers, and no rapid-fire dialogue.

Rectify is about the journey, not the destination. And no mater what your travel plans might be in the coming months, this will likely be the most rewarding trip you take all summer.

Stop Everything and Go Watch ‘Rectify’

You Really Don’t Want to Watch Fox’s ‘I Wanna Marry “Harry”’

wanna marry harry

No. Just, no. Proving that it has learned exactly zero lessons since foisting The Next Joe Millionaire upon the public, Fox has once again failed to clone its 2003 reality mega-hit, Joe Millionaire. This time around, we’re stuck with I Wanna Marry “Harry,” in which 12 dimwits vie for the hand of a man they think just might be Prince Harry. As I wrote at The Daily Beast,

Instead of upending the genre as Joe Millionaire did, the inert Harry mostly shows how much things have changed since then. Very few Bachelor viewers—despite the efforts of host Chris Harrison—wholly buy into that show’s fairy-tale storyline anymore. The turning point came in 2010, as audiences were exposed to the creepy serial killer vibe given off by Jake “Stop Interrupting Me” Pavelka during his nasty on-air split with “winner” Vienna. Then, there was a near revolt this past Bachelor season, as almost all the women (and even Harrison himself) ultimately turned against Bachelor Juan Pablo Galavis as a result of his douchey behavior both onscreen and off.

Now, many contestants and viewers have realized that the real way to “win” The Bachelor/Bachelorette isn’t by becoming the last suitor standing and getting engaged. Instead, the key is to play your cards right and score the better prize: either become the runner-up who was compelling and beloved enough to be selected as the next Bachelor/Bachelorette, or embrace the villain(ess) persona that’s a direct ticket to getting booked on spinoff shows like Bachelor in Paradise (airing this summer). Continued employment, not true love, has become the real Bachelor allure.

If you wanna watch Harry, you’ll only get an uninspired retread of a once-revelatory idea.

You Really Don’t Want to Watch Fox’s ‘I Wanna Marry “Harry”’

How ‘Marvel’s Agents of SHIELD’ Finally Found Its Way

agents of shield s1

No series arrived this season with more hype, and more disappointment, than Marvel’s Agents of SHIELD. The show seemed destined to seamlessly expand Marvel’s bigscreen dominance to television, but as I wrote at The Daily Beast,

Instead, for much of its dreary first season, S.H.I.E.L.D. was a pretender, saddled with cut-rate CGI, one-dimensional characters (and in some cases, half-dimensional actors) and most damning of all, devoid of anything even remotely resembling fun. Yet in true comic book fashion, just when it seemed that all hope was lost, in the past month the show—against all odds—finally found its way. Now, Tuesday night’s feisty, rewarding season finale has me doing something I never would have thought possible: counting the days until next season.

I delve into the show’s many problems this seasons, and how the big twist from April’s Captain America: The Winter Soldier has finally helped Agents of SHIELD became the thrilling show it was always supposed to be.

How ‘Marvel’s Agents of SHIELD’ Finally Found Its Way

‘Live Another Day’ Review: Can Jack Bauer Save ‘24’ From Itself?

24 live another day

Four years after the clock ran out on 24, Jack Bauer is back. Fox has relaunched the franchise with a 12-episode “event series” called 24: Live Another Day. I only wish the show was closer to the show’s exhilarating early seasons rather than the formulaic later ones. As I wrote in my Daily Beast review,

Aside from the thrill of seeing Jack—and Sutherland—back on the clock, barking orders and unleashing new methods of ass-kicking (for his next trick, he’ll do it with the hands cuffed behind his back!), 24’s absence hasn’t made me grow fonder of its tropes. This time around, many of them—Jack being underestimated by everyone around him, his first anguished utterance of “Dammit!,” the first of what will be many double-crosses—seemed more dutiful than inspired. The later seasons of 24 indicated that all the format’s tricks had been exhausted, and so far, Live Another Day’s writers haven’t indicated that they’ve discovered any new ones.

“Damnit, Chloe, I need more innovation!”

‘Live Another Day’ Review: Can Jack Bauer Save ‘24’ From Itself?

‘The Good Wife’s’ Christine Baranski on Life After Will Gardner’s Death

baranski good wife

The Good Wife fans are still reeling from the show’s shocking March 23 episode, in which Will Gardner (Josh Charles) was gunned down in court. And while Charles, Julianna Margulies, and showrunners Robert and Michelle King have given several interviews about the devastating twist, I’d yet to hear from Christine Baranski, who has been equally stellar in the aftermath of Will’s death. I talked to her for this Daily Beast profile about her “breathtaking” year, hoping against hope that Charles would change his mind about leaving the show and the trauma of shooting those emotional episodes as her character, Diane Lockhart, coped with Will’s loss:

Even a seasoned pro like Baranski wasn’t been prepared for what was required of her in those episodes. “I’ve done so much comedy and I’ve done drama now, but I’ve got to be honest, never in my career have I been called upon to do that kind of work in front of the camera,” she says. “It was hard, but what a privilege to be able to go to that place of deep, deep sorrow and pain and trauma.”

There’s lots more from Baranski, on juggling The Good Wife last fall while also shooting the movie adaptation of Into the Woods and how she’ll decompress after such an emotional roller coaster this season. Robert and Michelle King also spoke about how deftly Baranski pulled off her character’s darkest, and lightest, moments this spring.

‘The Good Wife’s’ Christine Baranski on Life After Will Gardner’s Death

Stephen Colbert and the Viral Video-Fueled Generation Hijack Late Night

late night hijack

David Letterman officially has a successor. Stephen Colbert will be the next Late Show host, CBS announced yesterday. I reflected on the news, and what this means for late night, at The Daily Beast, where I wrote,

With yesterday’s news that Stephen Colbert will take over the Late Show next year, the long-held notion of what it means to be a late-night host, and what it means to be a late-night audience, has been forever eradicated.

In 1992, your late-night options were Letterman and Leno, period. As of next year, the lineup will consist of Colbert, Jimmy Fallon and Jimmy Kimmel on the broadcast networks, along with cable hosts like Conan O’Brien (remember him?), Jon Stewart and whomever replaces The Colbert Report. Late night is no longer all-or-nothing; it’s an all-you-can eat buffet. Thanks to the Internet, you can sample as many late-night clips from as many late-night shows as you’d like.

In the piece, I trace late-night’s evolution and transformation over the past two decades, and how Letterman has changed from scrappy innovator to odd man out. As Kimmel, Fallon and Colbert have proven time and again, “Late-night” is now late-night in name only.

Stephen Colbert and the Viral Video-Fueled Generation Hijack Late Night

‘The Blacklist’ is Dead Without the Psychotic Red

blacklist

Few shows have been as agonizingly schizophrenic this season and NBC’s The Blacklist, which is unmissable whenever James Spader is on screen as Raymond “Red” Reddington, and unwatchable whenever he is offscreen. As I wrote at The Daily Beast, the producers have done a superb job at dialing back on Red’s camp from the pilot:

Rather than going over-the-top, Spader has chosen a markedly more intriguing route. While he’s always the only one on screen having fun, he’ll frequently pull back the curtain to reveal the heartache and torment lurking underneath, especially in a rapt monologue about the torment of discovering his wife and child’s murdered corpses, or a recent conversation with Keen about how one comes to terms with taking a person’s life. More heart than ham, Red has become an intriguingly complex character, a 10-course-meal the likes of which broadcast television rarely concocts these days, and Spader has dug into each new dish with relish.

The rest of the show, however, is a mess, and I propose some radical changes that would help fix the series — and make Red even more compelling.

‘The Blacklist’ is Dead Without the Psychotic Red

The Great Marriage Behind ‘The Good Wife’

good wife robert michelle king

I’ve read plenty of interviews with The Good Wife’s powerhouse showrunners Robert and Michelle King talking about their sensational series, but none that focuses on how they’ve successfully pulled off being married to their job, and each other. So I profiled them for The Daily Beast and talked about that very subject, including their biggest work fight:

But that was far from the duo’s biggest—and oddest—clash. “I think the biggest creative argument we ever had was whether U.S. should be abbreviated with or without periods within a script,” says Michelle. “I mean, it gets down to that level! I think it went on for two days, and I could not tell you which of us had which position or where it landed.” Adds Robert, “Which is the advantage of [being on a] network. There are so many decisions that have to be made, you can’t really fight over one for very long.”

It was a delight spending time with these two, and I can’t wait to see what they have in store for us next.

The Great Marriage Behind ‘The Good Wife’

How the Dark and Stylish Drama ‘Suits’ Became USA’s Best Show

suits

After an unplanned hiatus, I’m back writing for The Daily Beast with this look at how USA’s Suits evolved from a half-hour, Entourage-like story into a dark and stylish drama. Stars Gabriel Macht and Patrick J. Adams, along with creator Aaron Korsh, talked with me about how the show — which still seems a unusual fit for USA’s “Blue Skies” lineup — has thrived, how it might end, and whether not-a-real-lawyer Mike will ever be held accountable for his deception.

“Recently, I have started giving some thought to it,” says Korsh, who is currently mulling four different outcomes. “One is the truth comes out and Mike goes to jail. That’s a definite possibility. We’ve at least discussed the possibility of the truth coming out and figuring out a way that he does not go to jail. Another option would be the truth would never come out, and another option would be the truth comes out, he goes to jail and you’re able to move past that.”

I particularly enjoyed Macht’s pitch for how the show could successfully, and logically, navigate the dilemma of Mike’s big lie.

How the Dark and Stylish Drama ‘Suits’ Became USA’s Best Show