Category Archives: News/Analysis

The Biggest Winners at This Year’s Emmys Didn’t Win the Biggest Awards

qz-biggest-winners-spacey

Shortly after I left People, my friend Mitra Kalita reached out to me about contributing to Quartz, Atlantic Media’s global business site, where she works as Ideas Editor. After 16 years at People, it took me a some time to wrap my brain around how to write about TV for Quartz’s readers. But today I made my Quartz debut, with this take on last night’s Emmys, and how Netflix was one of the night’s biggest winners, even though it didn’t take home many trophies:

No, the political drama didn’t receive best drama or best actor for star Kevin Spacey, as many had predicted. But the awards it did win—best director for David Fincher, and two other technical awards (for casting and cinematography) at last week’s Creative Arts Emmy ceremony—legitimized the streaming video service in the same way that early Emmy wins once did for then-interlopers HBO, AMC and FX.

I really enjoyed the challenge of thinking about TV — and an event covered by hundreds of outlets and watched by millions — in a unique way, and I look forward to doing a lot of this kind of writing for Quartz in the days and weeks to come!

The biggest winners at this year’s Emmys didn’t win the biggest awards

How the Emmy Pundits Fared (Spoiler: Not Well)

While I usually only link to my own stories, I couldn’t help highlighting this PunditTracker blog post, which looked at how I and 21 other Emmy pundits did in our predictions. The verdict?

While none of us fared exceptionally well, I’m relieved to have done better than most, placing fifth. And I was the only one who correctly picked Ellen Burstyn for best supporting actress in a movie/miniseries.

Emmy Pundits 2013

 

 

How the Emmy Pundits Fared (Spoiler: Not Well)

Emmy Predictions 2013: Who Will Win, and Who Should Win

emmy 2013 predictions

Before tonight’s Emmys, I went through 25 categories and picked the likely winners for The Daily Beast, along with the nominees I wish would actually take home the trophy.

 

Let’s meet back here tomorrow and find out how well (or how horribly) I did!

 

Emmy Predictions 2013: Who Will Win, and Who Should Win

Sophomore TV Shows: Which Will Surge and Which Will Slump?

sophomore shows

With the new TV season about to kick off, I looked at 16 returning second-year series, and predicted which ones will surge in Season 2, and which will slump. As I wrote at The Daily Beast,

A show’s second season is often its make-or-break year. After a season’s worth of growing pains and tweaking under its belt, will the series make the leap and fully realize its potential, as Scandal and New Girl gloriously did last year, or will it hit the dreaded sophomore slump and watch that initial promise implode, as was the case with Revenge, Up All Night, and Smash?

Maybe I’ll check back at the end of the season and how my predictions held up.

Sophomore TV Shows: Which Will Surge and Which Will Slump?

Fall’s Top 10 New Shows

fall top 10 new shows

At TCA summer press tour in July/August, I spent a lot of time speaking to the stars of fall’s most anticipated series — including several of my favorite freshman shows, like The Blacklist, Masters of Sex and Brooklyn Nine-Nine — for this Parade roundup of Fall’s Top 10 New Shows. Look for more extended Q&As with each star in the weeks ahead.

Fall’s Top 10 New Shows

Revealed: Behind ‘Homeland’s’ Surprising ‘Princess Bride’ Connection

homeland-princess-bride

For whatever reason, I have a knack for spotting minute details in Homeland screeners. That skill came in handy as I watched an early screener of Season 3, and noticed what seemed like a reference to Mandy Patinkin’s famous line in The Princess Bride scribbled in Carrie Matheson’s notes. She writes, “You killed my son — prepare to die!” I caught up with showrunner Alex Gansa at TCA summer press tour and asked him about the reference for a new Daily Beast item.

Was the Princess Bride reference intentional? “Of course it is!” Homeland executive producer Alex Gansa tells The Daily Beast of its inclusion early in Season 3. “We didn’t expect to use it so prominently. But the fact is that it looks so great, the physical representation of her mania, right there on the page. So there it is, right in front of your eyes.”

Gansa also told me who came up with the idea — and what Patinkin thinks about it.

Revealed: Behind ‘Homeland’s’ Surprising ‘Princess Bride’ Connection

Emmy Nomination Surprises and Snubs: ‘House of Cards,’ ‘Orphan Black’ and More

emmy-nominations

Well, I’ve never done this before! Today, I did my first quick-turnaround piece for The Daily Beast, as I reacted to today’s Emmy nominations. I focused on the Good (House of Cards, Top of the Lake, Louis CK), the Sad (Tatiana Maslany, The Americans) and the Ugly (The Good Wife). As I wrote about The Good Wife’s snub,

The broadcast networks’ last great hope for Emmy drama recognition fell even further out of favor with voters, as it was unable to claw its way back into the Outstanding Drama category, where it was shut out last year as well. Adding insult to injury, Juilanna Margulies, who won Lead Actress just two years ago, wasn’t nominated either.

I’m glad I had the opportunity to do an Emmy reaction piece, and can only hope that The Americans and Tatiana Maslany make it onto next year’s ballot instead…

Emmy Nomination Surprises and Snubs: House of Cards, Orphan Black and More

Give Mandy Patinkin an Emmy Nomination for ‘Homeland,’ Already!

mandy-patinkin

Emmy nominations are coming out Thursday morning, and I made my case at The Daily Beast for why Mandy Patinkin’s name absolutely must be on the supporting actor in a drama ballot, especially after he was criminally overlooked last year.

Included in my five reasons why he must get an Emmy nomination:

 

Patinkin imbues Saul with a hulking presence that fills entire rooms. Saul may be a man of few words, but Patinkin makes each of them count. Near the end of the Season 2 finale, after a horrifying twist I won’t spoil here, he calls Carrie’s cell phone in a desperate, seemingly futile attempt to locate her. His words are simple. “Carrie, it’s me. I’m looking for you. Please call me back.” But Patinkin packs more desperation and anguish into them than you’d find in a five-minute monologue.

Don’t screw this up again, Emmy voters!

Give Mandy Patinkin an Emmy Nomination for ‘Homeland,’ Already!