Tag Archives: Ted Sarandos

How Netflix is Saving Network Sitcoms

unbreakable kimmy schmidt

What was NBC to do when the network — which has forgotten how to launch and nurture new comedies — found itself with one of the best midseason series, Unbreakable Kimmy Schmidt? The only logical thing to ensure the show’s survival: give it to Netflix. As I wrote at Quartz,

As Netflix continues to change the way viewers watch TV, in the process evolving from a niche outlet to one that wants to be all things to all people, the streaming service has also done something unexpected: it’s helping to save the network sitcom.

While many new sitcoms are canceled long before they have time to hone their comedic voice and tailor the show to the strengths of its actors, Netflix’s two-season commitment to Kimmy Schmidt ensures the sitcom will get the breathing room it needs to find its comedic bearings. And while Netflix’s binge-loving audience gravitates toward serialized dramas like Breaking Bad, Kimmy Schmidt proves that this can also be an ideal method to watch comedies as well:

And while Kimmy Schmidt episodes might not end with a traditional cliffhanger designed to carry you over to the next episode, like Netflix’s dramas ordinarily do, the show boasts plenty of comedic momentum. Out of the first six episodes I’ve seen, each ones gets stronger and stronger, as Fey and co-creator Robert Carlock build out their world and slowly layer in more laughs. The fourth episode is by far the funniest, packed with uproarious pop culture riffs and a disturbing yet riveting turn from guest star Martin Short. In a normal broadcast environment, many viewers would have thrown in the towel long before that point.

There’s much more in my Quartz story, including an explanation why NBCUniversal ends up the biggest winner in the show’s migration to Netflix, and an explanation from Netflix chief content officer Ted Sarandos as to why this is such an “interesting turning point” for the industry. It’s somewhat of a companion piece to last month’s Adweek cover story on the not-so-funny state of network sitcoms.

Unbreakable Kimmy Schmidt debuts tomorrow on Netflix. Make sure you watch; every episode gets better and better!

Netflix’s newest debut proves it might be the modern sitcom’s last hope

Cosby Show Retrospective Quietly Pulled From Rebranded TV Guide Network’s Lineup

bill cosby pop

It’s not easy breaking exclusive news when you’re alongside 200 TV journalists at press tour, but it can be done. While researching my Adweek story on the launch of Pop, I noticed that a retrospective on The Cosby Show, announced last October as part of Pop’s initial slate, had quietly been dropped from the lineup. Brad Schwartz, Pop’s president of entertainment and media, explained his decision to place the episode on “permanent pause”:

“With everything going on, why do you need to run it?” said Schwartz, whose rebranded channel, Pop, celebrates “enthusiastic fandom,” which is pretty much the opposite of how most audiences now feel about Cosby. “I’m not going to pass judgment or make a decision on who’s right and wrong, but it was a very easy decision for us to say, ‘Let’s not air it.'”

The marks at least the fourth Cosby-related program to be taken off the air in the wake of Bill Cosby’s scandal. I also asked Schwartz, who had previously pulled 7th Heaven off TV Guide Network in response to the Stephen Collins child molestation allegations, if there are any circumstances under which the show will air. You’ll have to read what he told me.

Cosby Show Retrospective Quietly Pulled From Rebranded TV Guide Network’s Lineup

NBC Ditched Tina Fey’s New Sitcom—and She Couldn’t Be Happier

tina fey

The first day of TCA winter press tour is in the books, and I rounded up the highlights from Netflix, ESPN and National Geographic Channel for this Adweek story.

Among the highlights: Tina Fey talked about why her new NBC sitcom, Unbreakable Kimmy Schmidt, ended up on Netflix instead:

Given the grim fate of this season’s new broadcast sitcoms (RIP, Manhattan Love Story, Selfie, A to Z and Bad Judge), Fey couldn’t be happier about her show’s unlikely new home. “All of the networks have had a little trouble launching their comedies this season,” said Fey. “I think more people will find us like this.” For ambitious comedies like Community (which migrated to Yahoo Screen after NBC canceled it last May) or Kimmy Schmidt, “it just makes more sense than broadcast.”

The sad truth: Even NBCUniversal realized that its own network wasn’t the ideal place to nurture Fey’s new sitcom. “The show is made by NBC; it’s in NBC’s best interests for the show to have its best home,” said Fey. “And rather than trying to stick it on NBC between a multicam and a drama, they agreed that this would be the right place for it.”

There’s also lots of detail on Netflix’s grand ambitions to be “something for everyone” and ESPN adding short films to SportsCenter.

NBC Ditched Tina Fey’s New Sitcom—and She Couldn’t Be Happier

Netflix is Making an Original Movie—But It Won’t Come Cheap

netflix crouching tiger

After upending the TV industry with shows like House of Cards and Orange is the New Black, Netflix is turning to movies. It is teaming up with The Weinstein Company for its first original movie, a sequel to 2000’s Crouching Tiger, Hidden Dragon, which will premiere on Netflix (and in Imax theaters) next August. As I wrote at Quartz,

In other words, Netflix believes it can “save” the movie business by upending the traditional approach in which films are released exclusively to theaters first and not made available for home viewing until several months later. “What I am hoping is that it will be a proof point that the sky doesn’t fall,” Sarandos told the New York Times. “These are two different experiences, like going to a football game and watching a football game on TV.”

However, as I explain, saving the movie business will be an expensive proposition for Netflix. Still, Harvey Weinstein is betting that if anyone can pull it off, it’s Netflix.

Netflix is making an original movie—but it won’t come cheap

Not Even Those Who Run Netflix Shows Know How Popular They Really Are

not even those who run Netflix

This is crazy to me. We’ve all known for years that Netflix has stubbornly refused to release any ratings information on its shows. Now, I wrote at Quartz, it turns out that not even the people who make Netflix’s most popular (we think) shows have any idea how many viewers actually watch their programming.

“It’s like, ‘I’m a hit —I think,’” Orange is the New Black creator Jenji Kohan told The Hollywood Reporter. The lack of viewership metrics from Netflix “makes it hard to negotiate later,” she says, referring to the standing industry practice in which the stars and producers of hits shows leverage ratings success for significant raises in a show’s third or fourth season.

I also wrote about Netflix’s excuses for withholding that data — and why they don’t hold water.

Not even those who run Netflix shows know how popular they really are