Author Archives: Jason Lynch

TV’s 10 Worst Time Slots: Can Any Show Survive?

gracepoint-hed-01-2014_0

I’m very excited to begin contributing to Adweek, as they look to expand their TV coverage online. My first story for them is something that I’ve wanted to write for more than a year: a look at the worst TV time slots on television, the ones that have been radioactive for years on end, and manage to bring about the end of almost every show that is aired there.

I looked back at several years of TV schedule grids, and pulled together this collection of TV’s equivalent of death row.

Abandon hope, all ye who are scheduled here:

TV’s 10 Worst Time Slots: Can Any Show Survive?

TV Shows Based on Movies: Often Doomed

bad-teacher

Three stories in a row! The Atlantic picked up my recent Quartz story about why Hollywood can’t stop turning movies into TV shows.

TV Shows Based on Movies: Often Doomed

Hollywood Won’t Stop Until it Turns Every Movie Into a TV Series

minority-report

What’s the opposite of “great minds think alike”? In the past month, the broadcast networks have announced plans to turn 10(!) movies into potential series. As I wrote at Quartz,

Hollywood apparently won’t stop until it turns every movie into a series. It’s the strongest indication yet that there are no original ideas left among the broadcast networks, which already packed this fall’s television lineup with comic-book adaptations and spinoffs.

Hollywood won’t stop until it turns every movie into a TV series

Oscar host Neil Patrick Harris on His Best and Worst Emcee Moments

Neil Patrick Harris

Today, Neil Patrick Harris was named to host pretty much the only awards show he has yet to emcee: the king of them all, the Oscars. In light of the news, I suggested that the Daily Beast dust off my interview with him from last year about his best and worst hosting moments, and that’s exactly what they did:

Neil Patrick Harris on His Best and Worst Emcee Moments

Cable Networks Will Save Themselves by Focusing on What They Do Best

cable networks will save themselves

Just nine months ago, USA President Chris McCumber was talking to me about his network’s push into comedy, and preaching patience. Looks like his patience has worn thin, because USA announced that it is retreating from comedy and refocusing on drama, while AMC has pulled the plug on almost its entire reality slate as it, too, opts to concentrate on what it does best. As I explained at Quartz,

Those surprising moves were in part explained by a Wall Street Journal report that the US top 40 most widely distributed cable channels in 2010—USA and AMC included—have lost an average of 3.2 million subscribers, or more than 3% of their distribution, during the last four years, as consumers have starting “shaving the cord” by opting for smaller, cheaper bundles of channels.

Intent on not being shaved out of existence, networks are refocusing on keeping their core audiences happy, rather than trying and attract new viewers. “In an environment of exploding content options for viewers,” AMC said in explaining its decision, “we have decided to make scripted programming our priority.”

Both networks damaged their core business by taking their eye off the ball, and their sudden retrenching should also be a red flag for E! and Bravo, which are both branching into scripted series for the first time.

Cable networks will save themselves by focusing on what they do best 

Stop Hating on ‘Modern Family’ (But Also Stop Giving It Emmys)

modern family s6

Few people were more upset than I over Modern Family’s return to Emmy dominance back in August, when it once again won best comedy, beating Louie (!), Veep (!!) and Orange is the New Black (!!!). But at the same time, I felt like the backlash against the show — some people seemed to want it taken off the air immediately — seemed overblown. As someone who had watched all five seasons worth of episodes, I knew that Modern Family still had its moments. This fall seemed like a good time to revisit the show, so I did that today for The Daily Beast:

So, following Jay’s advice and putting all the hoopla aside, it’s time to examine how good—or bad—Modern Family really is at this point in its run. After watching Season 6’s first three solid episodes, it’s clear that Modern Family is much better than many of its haters remember. It’s still reliably and solidly funny, capable of several genuine laughs each week, which is more than most network comedies can say. But equally evident is the fact that the show, while still entertaining, stopped being groundbreaking long ago, and serves largely at this point as comedy comfort food.

This story also gave me an opportunity to talk about the most bitter, loveless couples on television: Mitch and Cam, who should really go their separate ways. But I still love Audrey Anderson-Emmons, who plays their daughter, Lily, my favorite character on the show. And I admire the show’s restraint in turning Modern Family into The Lily Show.

In its sixth season, Modern Family is still worthy of adoration from audiences — just not Emmy voters.

Stop Hating on ‘Modern Family’ (But Also Stop Giving It Emmys)

‘Squawk Alley’: Why Sunday is TV’s Hottest Night

While I’ve been on Squawk Alley several times, they’ve always been remote appearances from CNBC’s Englewood Cliffs, N.J. office. This morning, I finally made my way to the New York Stock Exchange for my first in-studio appearance, where I talked about my recent Quartz story about why the best shows air on Sundays.

Here’s a clip from my segment:

Thankfully, they didn’t include the portion where my earpiece shorted out, just as I was being asked a question by someone remotely. Oh, the fun of live TV!

‘Squawk Alley’: Why Sunday is TV’s Hottest Night

Why Sunday-Night Television is So Good

sunday night atlantic

The Atlantic took notice of my Quartz piece on why all the best shows air on Sunday nights, and republished it. Two times in one week!

Why Sunday-Night Television is So Good 

Five Reasons Why Sunday is TV’s Best Night

sopranos sunday

Homeland. The Good Wife. The Affair. The Walking Dead. Mad Men. Masters of Sex. Veep. Game of Thrones. When you think of the best (and most Emmy-nominated) shows on TV, almost all of them air on Sunday nights. As I wrote at Quartz,

It seems counterintuitive to pit all of TV’s best series against one another, as anyone who’s tried to program a DVR on Sundays can attest. But there is in fact a method to the networks’ madness, and five reasons why Sunday night’s quality TV overload exists—and won’t be going away anytime soon.

Through Nielsen numbers crunching (charts!), research and a great chat with Showtime Network President David Nevins, I came up with five very strong reasons — some of which surprised even me. Here’s one: airing on Sunday night is more important than being watched on Sunday night.

While many of the Sunday shows have drawn record audiences as mentioned above, it’s also true that premium cable networks like HBO and Showtime aren’t beholden to advertisers. So those executives don’t have the expectation or urgency that viewers need to tune in “live” during their shows’ initial Sunday night airing. “I always say, it doesn’t matter to me whether you watch it on Sunday; I’m fine if you want to want until Monday or Tuesday or Wednesday,” said Nevins. “You wait much past then, you’re going to miss the conversation.”

Five reasons why Sunday is TV’s best night