Category Archives: News/Analysis

Why Blockbuster Opening Weekends Cause Falling Stock Prices

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I stepped a little bit out of my comfort zone for my latest Quartz story, on why a movie studio’s stock often falls after its film has a blockbuster opening weekend. As I wrote,

The post-blockbuster stock dip has become a surprisingly common occurrence in recent years. Here’s why: just as Hunger Games fans spent months eagerly awaiting the film’s opening weekend, investors were likewise buying up LGF shares, causing the stock to double in the past year. This mirrors activity around an eagerly-anticipated new tech products, like iPhone and iPad releases, as investors buy in anticipation of a big event, then try to unload their shares to those suddenly interested in buying in after the gargantuan sales figures come out.

The more you know!

Why blockbuster opening weekends cause falling stock prices

Americans’ New Thanksgiving Tradition: Watching TV All Day Long

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Sure, you’re spent an hour or two eating Thanksgiving dinner on Thursday, but you’ll spend a lot more time honoring another important Thanksgiving tradition: watching TV all day long. As I wrote at Quartz,

More than any other major American holiday, Thanksgiving has become a TV-centric day, where people seem to spend far more time in front of the television than they do at the dinner table. And the broadcast networks are taking advantage of that rapt audience through marquee programs that last year attracted more than 114 million viewers.

From Macy’s Thankgiving Day Parade to three football games, let’s face it: you’ll be spending most of Thanksgiving in front of the TV.

Americans’ new Thanksgiving tradition: watching TV all day long

NBC Just Bought a Network to Cash in on Toddlers and Tablets

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In my latest piece for Quartz, I looked at NBCUniversal Cable Entertainment’s acquisition of preschool network Sprout, and focused on one key area that the company will be looking to improve: Sprout’s paltry streaming app.

While Sprout reaches 60 million homes and boasts 1.5 billion on-demand views since its 2005 launch, its app numbers are less impressive. Sprout’s app, launched in March 2012, has been downloaded 1.5 million times. Meanwhile, the Watch Disney Junior app, which Disney debuted in June 2012, has already been downloaded 5 million times, generating more than 650 million video views. Nickelodeon, which introduced a new app for its flagship network in February,plans to roll out a Nick Jr. app for preschoolers next spring.

However NBCUniversal decides to overhaul Sprout’s app, it had better do it quick: many kids, mine including, have abandoned it completely.

NBC just bought a network to cash in on toddlers and tablets

Why Amazon, bucking the Netflix strategy, won’t release its original series all at once

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As Amazon tries to play catch-up with Netflix by streaming its first original series, it’s diverting from Netflix’s playbook in one major way: instead of releasing Alpha House’s entire first season at once a la House of Cards, Amazon will make the first three episodes available at once, and then debut one new episode each week. As I wrote at Quartz,

Amazon Studios Director Roy Price said it opted for a weekly release schedule “so that customers can chat about the shows and build up anticipation,” adding that the Netflix release model kills the conversation and buildup that surrounds a traditional release of a TV show. Since Netflix refuses to release any ratings data on its programming, there is no way to tell how many people have actually viewed its original series, or how many debut episodes were viewed as compared those later in the season.

If Amazon can keep viewers enthusiastic about its new shows for weeks and months on end, it might be able to beat Netflix at its own game.

Why Amazon, bucking the Netflix strategy, won’t release its original series all at once

Netflix’s Next Big Battle: In-Season Binge-Watching

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Netflix helped cultivate our binge-watching obsession, and as I wrote at Quartz, it’s now fighting with networks and cable/satellite providers over in-season binge-viewing, also known as stacking:

When it comes to binge-watching a show’s current season, options are very limited. The studio’s deals with Netflix/Amazon Prime/Hulu Plus usually cap the number of current episodes a network can offer via video on demand (VOD) at five. So if viewers want to binge, unless they purchase individual episodes via iTunes or Amazon on Demand, they must wait until the summer when the whole season becomes available via a streaming provider, which denies networks (and their advertisers) the opportunity to capitalize on these eager new potential viewers.

Networks are increasingly pushing to offer all episodes of a current season, what’s known as “in-season stacking rights,”on demand via VOD, online and the network’s mobile applications. “That’s where the big fight is happening now,” said Marc Graboff, president of Core Media Group, American Idol’s parent company, said at Variety’s Entertainment & Technology Summit on Oct. 21.

In short, it’s moronic that audiences don’t have the option to watch all episodes of a show’s current season, but until the networks, studios, advertisers and Netflix learn how to play nice, nothing is going to change.

Netflix’s next big battle: in-season binge-watching

TV Shows on the Brink of Cancellation are Being Saved by Delayed Viewing

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One of the reasons I love writing for Quartz is being able to do stories like today’s: an explanation why the broadcast networks are being more patient than ever with new shows, as they rely more heavily on Nielsen’s “live plus seven” ratings. As I wrote,

Delayed-viewing is “significantly higher” than last year, CBS research chief David Poltrack told USA Today, adding that even older viewers, historically late adopters of new technology, are jumping on board. “The world has definitely changed,” says Poltrack.

I’m happy that delayed-viewing ratings have boosted the fortunes of several of my favorite low-rated series, like Brooklyn Nine-Nine, The Bridge and The Americans.

TV shows on the brink of cancellation are being saved by delayed viewing

‘The Walking Dead’ Wakes Up and Fights Piracy by Releasing Global Versions Earlier

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It’s almost time for The Walking Dead’s Season 4 premiere, and unlike in previous seasons, international viewers in more than 125 different countries will be able to watch within 24 hours of the U.S. debut. As I wrote at Quartz,

Previously, the show’s international air dates lagged behind The Walking Dead’s US showings by a week. But FIC was no longer willing to sit by and watch as the show’s rabid fans pirated the latest episodes. “We want to prevent the spoilers for sure, we also want to make sure [international viewers] get the best version of the show—not some pirated version,” Fox International Channels’ chief marketing officer Liz Dolan told The Wrap. “But we also want them to get it super fast.”

Now, no country is safe!

‘The Walking Dead’ wakes up and fights piracy by releasing global versions earlier

Now That ‘Breaking Bad’ is Over, AMC Looks to Break Good with Another Show

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After I’d recovered from last night’s riveting Breaking Bad series finale, I finished up this Quartz story about the daunting task ahead of AMC:

But despite the stellar ratings, AMC is now in the same position HBO found itself after The Sopranos finale aired back in 2007. With no other clear-cut heirs to Tony Soprano’s throne, the network stumbled for a couple years (with poorly-received shows such as John From Cincinnati, Hung and How to Make it in America) before finally bouncing back with hits such as Game of Thrones and critically-acclaimed series such as Girls, Veep, Boardwalk Empire and The Newsroom.

With Breaking Bad now completed and its other media darling, Mad Men, about to start its final season (more on that later), AMC has hit a similar run of bad luck.

I have my concerns about AMC’s “everything old is new again” approach to its programming slate. We’ll have to see if they can avoid HBO’s post-Sopranos funk.

Now that ‘Breaking Bad’ is over, AMC looks to break good with another show

‘Breaking Bad’ Finale, ‘Homeland’ Premiere: How to Survive DVRmageddon

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I’ve been saying for years that there’s too many great shows on TV, but I can’t remember one night that has been packed with so many can’t-miss programs before: there’s the series finale of Breaking Bad, the season premieres of Homeland and The Good Wife, the series premiere of fall’s best new drama and much more. It’s DVRmageddon, and at The Daily Beast, I explain the best way to make it through the night and watch everything you need to see:

Did you have angst last Sunday night deciding whether to watch the Emmys, Breaking Bad or the Dexter series finale? Well, that was just a warm-up for the main event, this Sunday at 9 p.m.: DVR-maggedon, when many of fall’s most ravenously anticipated episodes—including the Breaking Bad series finale, the Homeland and Good Wife season premieres, and the debut of fall’s best new drama—air simultaneously. How can anyone possibly navigate that murderer’s row of programs? We’ve crunched the numbers, seen (almost all) of the episodes in question, and devised this handy guide to ensure you catch every show worth seeing on Sept. 29—in time to deconstruct them with your friends and coworkers on Monday.

Good luck!

‘Breaking Bad’ Finale, ‘Homeland’ Premiere: How to Survive DVRmageddon

Marvel’s Next Mission: Conquer Primetime Television, and Save Disney’s ABC Network

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One day after making my Quartz debut, I’m back with this look at the new ABC series Marvel’s Agents of SHIELD, which has the daunting task of trying to save Disney’s slumping ABC. As I wrote,

ABC hopes that S.H.I.E.L.D. will rescue the beleaguered network from its ratings doldrums—for the past two seasons, it’s been last place in the advertiser-coveted adults 18-49 demographic among the four broadcast networks—and give it a legitimate chance to finally expand beyond the network’s female-skewing programming like Scandal, Revenge and Grey’s Anatomy.

I was also able to share some insight from star Clark Gregg and executive producer Jeph Loeb that I had picked up at TCA summer press tour. ABC and Marvel have a tough road ahead of them, but I wouldn’t bet against the company that racked up $1.51 billion worldwide with The Avengers.

Marvel’s next mission: conquer primetime television, and save Disney’s ABC Network