Category Archives: Quartz

Five Reasons Why Sunday is TV’s Best Night

sopranos sunday

Homeland. The Good Wife. The Affair. The Walking Dead. Mad Men. Masters of Sex. Veep. Game of Thrones. When you think of the best (and most Emmy-nominated) shows on TV, almost all of them air on Sunday nights. As I wrote at Quartz,

It seems counterintuitive to pit all of TV’s best series against one another, as anyone who’s tried to program a DVR on Sundays can attest. But there is in fact a method to the networks’ madness, and five reasons why Sunday night’s quality TV overload exists—and won’t be going away anytime soon.

Through Nielsen numbers crunching (charts!), research and a great chat with Showtime Network President David Nevins, I came up with five very strong reasons — some of which surprised even me. Here’s one: airing on Sunday night is more important than being watched on Sunday night.

While many of the Sunday shows have drawn record audiences as mentioned above, it’s also true that premium cable networks like HBO and Showtime aren’t beholden to advertisers. So those executives don’t have the expectation or urgency that viewers need to tune in “live” during their shows’ initial Sunday night airing. “I always say, it doesn’t matter to me whether you watch it on Sunday; I’m fine if you want to want until Monday or Tuesday or Wednesday,” said Nevins. “You wait much past then, you’re going to miss the conversation.”

Five reasons why Sunday is TV’s best night

How, and Why, Showtime Resurrected ‘Twin Peaks’

showtime twin peaks

It’s happening, again! Showtime announced it is reviving Twin Peaks as a nine-episode limited series, airing in 2016. While many people spoke with co-creator Mark Frost about how his and David Lynch’s decision to return to the show, I took a different approach, talking with Showtime execs for this Quartz story about why this made sense for the network.

“In some ways, Twin Peaks was the precursor to all of the high-quality, provocative serialized drama that we all do now,” Gary Levine, Showtime’s executive vice president of original programming, told Quartz. “So to go back to the OG of provocative, serialized drama seemed like a no-brainer. Twin Peaks always did and always will define cool, and that was just too tempting to turn away from.”

There’s lots more from Levine and Showtime Networks President David Nevins about how they’ll avoid the train wreck that was Season 2, how much they know about the new season and whether there could be more stories to tell beyond those nine episodes.

How, and why, Showtime resurrected ‘Twin Peaks’

Netflix is Making an Original Movie—But It Won’t Come Cheap

netflix crouching tiger

After upending the TV industry with shows like House of Cards and Orange is the New Black, Netflix is turning to movies. It is teaming up with The Weinstein Company for its first original movie, a sequel to 2000’s Crouching Tiger, Hidden Dragon, which will premiere on Netflix (and in Imax theaters) next August. As I wrote at Quartz,

In other words, Netflix believes it can “save” the movie business by upending the traditional approach in which films are released exclusively to theaters first and not made available for home viewing until several months later. “What I am hoping is that it will be a proof point that the sky doesn’t fall,” Sarandos told the New York Times. “These are two different experiences, like going to a football game and watching a football game on TV.”

However, as I explain, saving the movie business will be an expensive proposition for Netflix. Still, Harvey Weinstein is betting that if anyone can pull it off, it’s Netflix.

Netflix is making an original movie—but it won’t come cheap

Disney is Using Star Wars to Drive People to Its Streaming Apps

disney star wars streaming apps

As Disney prepares to unveil its first original content from the Star Wars Universe since buying Lucasfilm in 2012, it’s doing so via its three Disney Channel streaming apps, as I wrote at Quartz.

“It’s critical for us to make sure we’re on the platforms the kids are consuming content on. And we’re learning, the size of the screen doesn’t really matter, it’s the content that matters most,” Lauren DeVillier, Vice President of Digital Media at Disney Channels Worldwide, told Quartz. “There’s a lot of repeat viewing with kids content; they’ll watch the same episode a thousand times. So especially with that audience, it’s an opportunity to be on the platforms they’re on.”

While the Disney streaming apps are getting more popular each year, 94 percent of the Disney Channel audience still watch via live TV or DVR.

Disney is using Star Wars to drive people to its streaming apps

This is How Amazon Developed Its First Great TV Series

amazons first great series

Transparent, which debuts Friday, is not just Amazon’s first great series, but it’s fall’s best new show. At TCA, I spoke with creator Jill Soloway and star Jeffrey Tambor for this Quartz piece about this important, moving series, and why Amazon was the only place for it:

“We have this absolutely unprecedented amount of creative freedom. So Amazon to me wasn’t necessarily like a TV network, it was a really vital and vibrant distribution system that would be able to get the stuff to the people quickly,” said Soloway, who was a writer and co-executive producer on Six Feet Under. “It feels more like I got to make a five-hour movie that already had distribution in place than it did like anything I would ever do for CBS that’s an episode to episode deal. There was none of that [network] interference: these stop signs that you constantly have to deal with, that really interrupt your flow and your connection to your inspiration, in any kind of TV. This is nothing like TV! It’s not TV, it’s not HBO, it’s Amazon!”

Soloway was also frank about being wary of Amazon’s decision to release Transparent’s entire first season at once, Netflix-style.

“That was Amazon’s decision,” said Soloway. “In some ways, I was excited because it makes us like House of Cards or Orange, and I’m happy to be compared to shows like that. But I think as a showrunner, I have to get over the idea that there’s not going to be a, ‘And then next Friday, they’ll see the next piece!’ That’s different.”

You’ll also want to read what prompted Tambor to channel his Larry Sanders Show alter ego, Hank Kingsley. But even more importantly, make sure you watch Transparent!

This is how Amazon developed its first great TV series

Why TV Time Slots Still Matter for New Shows

TV time slots still matter

During the next month, 20 new shows will debut, and half of them will be lucky to make it to a second season. As I wrote at Quartz, CBS is trying its best to beat the odds:

Its new shows are almost carbon copies of a beloved long-running series in time slots immediately before them (known as a show’s lead-in) or after them (its lead-out), in an effort to capture as much of the returning show’s audience as possible.

At TCA summer press tour, I spoke with CBS Entertainment Chairman Nina Tassler about her strategy that paired Criminal Minds with Stalker, Madam Secretary with The Good Wife and (duh!) NCIS with NCIS: New Orleans:

“It may not be where people end up consistently watching a show, but when you’re in this ‘discovery’ phase—when audiences are trying and sampling—that’s when I think lead-in matters more than anything,” Tassler told Quartz.

Why TV time slots still matter for new shows

Joan Rivers Pulled Off Hollywood’s Greatest Comeback

joan-rivers

As Hollywood mourned the death of Joan Rivers, who passed away yesterday at 81, I appreciated the opportunity to recount how she pulled off Hollywood’s greatest comeback, by clawing her way back into the spotlight after Johnny Carson had turned his back on her. As I wrote at Quartz,

Rivers also discovered that once you’ve survived Carson’s wrath, you can survive anything Hollywood can dish out. Who cared if Sharon Stone or Kristen Stewart got offended by her red carpet quips? So what if people thought she had too much plastic surgery? There was nothing anyone could say about Rivers that the comedian couldn’t say herself — and much, much funnier.

While Rivers is rightfully being lauded for her work as a trailblazer for female comics, her journey after being blackballed by Carson was equally spectacular. Farewell, Joan.

Joan Rivers pulled off Hollywood’s greatest comeback

Why NBC is Working on a Live Sitcom

NBC working on live sitcom

The news that NBC is developing a weekly live sitcom called Hospitality took many by surprise, but not me. During TCA summer press tour, I had chatted with NBC Entertainment Chairman Robert Greenblatt, who told me this summer that he had been looking to do just that. As I wrote at Quartz,

“We do it with sporting events, music competition shows and reality shows. There’s a lot of live things on television,” Greenblatt told Quartz in July. “The Today show is live every day; The Tonight Show is taped within hours of its broadcast. There’s a lot of immediacy, but not in scripted programming. So we’ve been talking about doing a live sitcom. We just have to find the right show.”

If the show ends up on the air, it will be the first weekly live primetime series since Fox’s Roc in 1992, which not coincidentally was overseen by Greenblatt, who oversaw Fox’s primetime programming at the time.

Why NBC is working on a live sitcom

Emmy Voters Just Did Something the Networks Couldn’t—Stop Netflix

Emmy voters just did something

Last night, the networks found an unexpected savior in their efforts to keep Netflix at bay: Emmy voters. Despite entering this year’s race with an impressive 31 nominations, the network came up empty during the 66th Annual Primetime Emmy Awards. As I wrote at Quartz,

Netflix seemed primed for a big night, after last week’s Creative Arts wins seemed to indicate that Orange is the New Black would be lauded. Host Seth Meyers acknowledged Netflix’s expected big night in his opening monologue when he joked, “Not very nice when someone younger comes along, is it, cable?” And Netflix was at the center of one of the evening’s early highlights: a hilarious commercial that ran during the telecast in which Gervais crossed paths with characters from House of Cards and Orange is the New Black. It was supposed to be the first of many memorable Netflix moments on Emmy night. But it turned out to be the only one.

I also touch upon a little-known fact about Emmy voters: sometimes as few as 50 of them make the decisions for each category.

Emmy voters just did something the networks couldn’t—stop Netflix 

TV is No Longer Where TV Series Premiere

TV not where series premeire

Viewers are taking longer than ever to watch TV shows, but when it comes to news series, networks don’t have the luxury of waiting several days or weeks for audiences to sample them and decide whether or not they want to see more. That’s why the pilots for several new series are being released weeks and even months before they premiere. As I wrote at Quartz,

Broadcast networks insist that they now program year-round (and indeed, have been doing just that), but almost all of their biggest shows still debut during the same two-week period in late September and early October. This makes it especially brutal for new shows to find an audience, so the online premieres gives viewers an early opportunity to sample them and, the networks hope, get hooked and start spreading the word before the shows enter the TV equivalent of Thunderdome.

I question whether viewers who watch and like the A to Z pilot will still be interested when the show actually premieres in October, but until the broadcast networks stop premiering all their fall shows in the same two week period, they’ll need all the help they can get.

TV is no longer where TV series premiere