Tag Archives: fall TV

TV is No Longer Where TV Series Premiere

TV not where series premeire

Viewers are taking longer than ever to watch TV shows, but when it comes to news series, networks don’t have the luxury of waiting several days or weeks for audiences to sample them and decide whether or not they want to see more. That’s why the pilots for several new series are being released weeks and even months before they premiere. As I wrote at Quartz,

Broadcast networks insist that they now program year-round (and indeed, have been doing just that), but almost all of their biggest shows still debut during the same two-week period in late September and early October. This makes it especially brutal for new shows to find an audience, so the online premieres gives viewers an early opportunity to sample them and, the networks hope, get hooked and start spreading the word before the shows enter the TV equivalent of Thunderdome.

I question whether viewers who watch and like the A to Z pilot will still be interested when the show actually premieres in October, but until the broadcast networks stop premiering all their fall shows in the same two week period, they’ll need all the help they can get.

TV is no longer where TV series premiere

‘NCIS’ is Taking Over the World—and New Orleans

NCIS taking over world

NCIS was recently named the most-watched drama in the world. Now the show is moving on to the next phrase of its global dominance, with the new CBS spinoff, NCIS: New Orleans, which the creative team discussed at TCA summer press tour. As I wrote at Quartz, while other networks might scoff at NCIS, CBS is laughing all the way to the bank:

“Our competitors may call it old-skewing. We call it a billion dollar franchise,” CBS Entertainment Chairman Nina Tassler said, adding that she is always looking to see if one of her shows can “expand to the global dominance of an NCIS. That is the Holy Grail.”

While the first NCIS spinoff, NCIS: Los Angeles, is almost as big a hit as the original, NCIS: New Orleans star Scott Bakula knows that success isn’t guaranteed: “We have to earn our place. It’s not a given.”

‘NCIS’ is taking over the world—and New Orleans

Three Decades After ‘The Cosby Show,’ Families of Color are Back on Network Television

three decades cosby show

Three decades after The Cosby Show, the broadcast networks are finally making sitcoms again that more accurately represent and reflect the diverse makeup of their audiences. At Quartz, I wrote about new fall sitcoms Black-ish and Cristela, as well as midseason comedy Fresh Off the Boat.

In doing so, the network is finally beginning to correct the embarrassing dearth of sitcoms featuring non-white families. “If you look at shows now that seem to lack diversity, they actually seem dated, because America doesn’t look like that anymore,” ABC Entertainment President Paul Lee told reporters at the Television Critics Association’s summer press tour. “People want to see voices that reflect the America that they know. … That’s not so much diversity as authenticity.”

As just as Cosby Show did 30 years ago, these three shows focus on themes that viewers of all ethnicities can easily connect with. “We love having a diverse slate, but we think these shows are deeply relatable. [When I watch them], I am one of those families,” said Lee, who admits that the new shows will hopefully appeal to international audiences as well. “We have a chance to resonate in the US and beyond. But make no bones about it, these are American stories, all of them.”

It also helps that Black-ish is terrific, and one of fall’s best new comedies. ABC’s Lee, who is leading the charge towards presenting diverse families, knows that he and his peers still have a long way to go to close the gap. But these shows represent a very promising start.

Three decades after ‘The Cosby Show,’ families of color are back on network television

‘Selfie’ was the Word of the Year—and Now it’s a TV Show

selfie oscars

Today I wrote about ABC’s odd decision to take a modern day take on My Fair Lady, and call it Selfie. Speaking at TCA summer press tour, the show’s creator Emily Kapnek said the title “feels very topical and relevant to me,” but I’m not so sure:

But taking a series, which its creator and the network hope will air for years to come, and calling it Selfie seems about as risky a bet as naming a show Macarena back in the mid-1990s (which no one did, thankfully). Given that some have argued that the word has already jumped the shark, Selfie’s title could quickly feel dated, and eventually become an albatross for the show.

Only time will tell if audiences will find Selfie, and its title, worthy of a retweet — or a delete.

‘Selfie’ was the word of the year—and now it’s a TV show

‘Almost Human’s’ Karl Urban: This Futuristic Reality is Just Around the Corner

Karl-Urban-almost-human

At Parade, I spoke with Karl Urban about his new Fox sci-fi drama, Almost Human. He told me how the show’s executive producer, J.J. Abrams — who is also his Star Trek director — convinced him to sign on:

He said, “If you accept this, I will rename Star Trek Into Darkness [and make it] Star Trek: Bones Saves the Galaxy.” [Urban plays Bones in Abrams’s Star Trek films.] I upheld my end of the bargain, so the ball’s in J.J.’s court for the third film!

Almost Human‘s Karl Urban: This Futuristic Reality Is Just Around the Corner 

‘Reign’s’ Adelaide Kane Takes on Mary, Queen of Scots: ‘It’s Fun — Not the History Channel!’

Adelaide-Kane-reign

At Parade, I spoke with Adelaide Kane about her new CW period drama, Reign. She tells me that the show’s critics need to get over themselves:

I find it incredibly frustrating that people harp on the fact that we’re not historically accurate. We’re not trying to make a documentary; it’s supposed to be fun! It’s not the History Channel!

Reign‘s Adelaide Kane Takes on Mary, Queen of Scots: ‘It’s Fun — Not the History Channel!’ 

Will Arnett on ‘The Millers,’ ‘Arrested Development’ and More

Will Arnett

It’s been a rough year for Will Arnett, whose last show, Up All Night, was imploding just as his marriage to Amy Poehler was doing the same. But he’s bounced back with a new CBS sitcom, The Millers. And as he tells me in this Daily Beast profile, he couldn’t be happier:

“I’m really, really lucky,” says Arnett, 43. “The opportunity to make a really funny multicam with these people, on CBS, at this time in my life after having a few years of crushing schedules, on a schedule that’s a lot more civilized where I can take my kids to school every day, that is a fucking godsend. I have nothing to complain about.”

Arnett talks about the past, present and future of Arrested Development (and defends Season 4), gives some insight into what happened to Up All Night and also talks about a pair of upcoming films that should make him World’s Coolest Dad to his two sons. Millers creator Greg Garcia and his costar Margo Martindale also talk about him.

Will Arnett on ‘The Millers,’ ‘Arrested Development’ and More

‘Breaking Bad’ Finale, ‘Homeland’ Premiere: How to Survive DVRmageddon

dvrmageddon

I’ve been saying for years that there’s too many great shows on TV, but I can’t remember one night that has been packed with so many can’t-miss programs before: there’s the series finale of Breaking Bad, the season premieres of Homeland and The Good Wife, the series premiere of fall’s best new drama and much more. It’s DVRmageddon, and at The Daily Beast, I explain the best way to make it through the night and watch everything you need to see:

Did you have angst last Sunday night deciding whether to watch the Emmys, Breaking Bad or the Dexter series finale? Well, that was just a warm-up for the main event, this Sunday at 9 p.m.: DVR-maggedon, when many of fall’s most ravenously anticipated episodes—including the Breaking Bad series finale, the Homeland and Good Wife season premieres, and the debut of fall’s best new drama—air simultaneously. How can anyone possibly navigate that murderer’s row of programs? We’ve crunched the numbers, seen (almost all) of the episodes in question, and devised this handy guide to ensure you catch every show worth seeing on Sept. 29—in time to deconstruct them with your friends and coworkers on Monday.

Good luck!

‘Breaking Bad’ Finale, ‘Homeland’ Premiere: How to Survive DVRmageddon

James Wolk on ‘The Crazy Ones,’ ‘Mad Men,’ ‘Lone Star’ and More

james wolk

I first met James Wolk at a Fox event held the summer before Lone Star aired its season premiere one Monday, and its series finale the following Monday. (RIP, Lone Star!) From Lone Star to Political Animals, he keeps ending up in these terrific shows that don’t make it to Season 2 (through no fault of his own).

I profiled him for The Daily Beast before the debut of his new CBS advertising agency comedy The Crazy Ones, where even star Robin Williams agrees that Wolk steals the show right out from under him:

“Oh, he can go more than toe-to-toe, he leads the way,” says Williams. “He kicked ass. Literally, I was going, ‘Damn! I’ve got to catch up!’ Which was wonderful, because it was very freeing to know that you’ve got backup. You’ve got a riff, and somebody is just right along there with you.”

In addition to Williams, I also spoke to the show’s creator, David E. Kelley, and director/executive producer Jason Winer about Wolk. And Wolk himself reflects on his strange journey in Hollywood, and bouncing back after Lone Star’s crushing failure.

James Wolk on ‘The Crazy Ones,’ ‘Mad Men,’ ‘Lone Star’ and More

Marvel’s Next Mission: Conquer Primetime Television, and Save Disney’s ABC Network

qz-marvels-next-mission

One day after making my Quartz debut, I’m back with this look at the new ABC series Marvel’s Agents of SHIELD, which has the daunting task of trying to save Disney’s slumping ABC. As I wrote,

ABC hopes that S.H.I.E.L.D. will rescue the beleaguered network from its ratings doldrums—for the past two seasons, it’s been last place in the advertiser-coveted adults 18-49 demographic among the four broadcast networks—and give it a legitimate chance to finally expand beyond the network’s female-skewing programming like Scandal, Revenge and Grey’s Anatomy.

I was also able to share some insight from star Clark Gregg and executive producer Jeph Loeb that I had picked up at TCA summer press tour. ABC and Marvel have a tough road ahead of them, but I wouldn’t bet against the company that racked up $1.51 billion worldwide with The Avengers.

Marvel’s next mission: conquer primetime television, and save Disney’s ABC Network